Four equally giant performances add to the incomparable whole. Hancock's rhythmic, percussive genius; Hubbard's expressive, soul-baring melodies; Williams' supremely tasty and intricate beats - all held together and driven by Carter, the master of bass. Listen a hundred times and hear something different each pass.
When jazz wanted to be hypnotic, subtle and underlining the sense without imposing aggressively the meanings.....atmospheric instead of asking approval and acceptance from the listeners...not at all popularistic...
That's haunting trumpet, with that swinging piano line, and those almost lazy sounding drums makes this everything a jazz song should be in my opinion.
I have this song in Jazz class and I've got to do an improvised trumpet solo near the middle.
God help my freshman soul because I have no idea what I'm doing.