just nod if you can hear me
and i have become comfortably numb
the child is grown
I can t explain you would not understand, is there anybody in there
Out of the corner of my eye, that ll keep you going through the show
That ll keep you going through the show, is there anyone at home
come on it s time to go
that ll keep you going through the show
i cannot put my finger on it now
when i was a child i caught a fleeting glimpse
can you show me where it hurts
My hands felt just like two balloons, can you show me where it hurts
I turned to look and it was gone, and get you on your feet again, a distant ship
i hear you re feeling down
your lips move but i can t hear what you re saying
Your lips move but i can t hear what you re saying, i hear you re feeling down
i need some information first
The child is grown, when i was a child i had a fever Comfortably, i can t explain you would not understand
Come on it s time to go, and i have become comfortably numb, just a little pin prick
your lips move but i can t hear what you re saying
And get you on your feet again, that ll keep you going through the show
just nod if you can hear me
whhhhhaaaatttt!!!! thhhiiissss iiisss amazing!! i love jazz and rock and roll. but never have i heard the two crossed together is the magic and majesty of this right here
My god, this is amazing. I agree with whoever said the chorus' resolution at the end is totally crazy and revelatory after the chords get all dissonant and dark, which to me is like revealing the underbelly of the song, which most songs don't do or don't do and survive.
I love how the pianist plays the chords at the end to say "Oh yeah, I know how it actually goes too"
As for his arpeggios, the way they move underneath the melody here provides a sense of direction and creates the kind of dissonance that makes the resolution at the chorus one of those moments that gives you goosebumps.
Overall, I think this combo takes the phrase "technical feasability" to an entirely new level.
Yep. I notice that effect too. We want to be challenged and to hear new things. But when there's no familiar handle to grasp on to, it's just annoying.
That's the thing, your ear has to get used to jazz harmonies. It doesn't have to get used to pentatonic scales or triads. We find it naturally pleasing.