When I am laid
Am laid in earth
May my wrongs create
No trouble, no trouble in thy breast
Remember me, remember me
But, ah, forget my fate!
Remember me, but, ah, forget my fate!
Hauntingly beautiful, both the voice and the arrangement, making the familiar aria touchingly human, closer to home, closer to the epicentre of real-life loss. In no way is Alison Moyet competing with any opera singers, and it would be missing the point to try and rank them.
The beauty of this piece by H Purcell is that it transcends time and genre.....yes it is sung by the most highbrow of classically trained opera singers and there are those who will think that that level of perfection is what it should ALWAYS be. Sadly I feel they are looking for technique and accuracy rather than the feeling of the piece...the LAMENT. I was as moved by Alison's version as I was by Jeff Buckley, Barbara Bonnet or a handful of other singers including Janet Baker. It's BEAUTIFUL.
Who knew? 350+ years later and the masterpiece can still draw an audience. It is to the credit and good taste of those pop artists who are drawn to its beauty and immortality.
This aria has so much connection to African-American spirituals that I cannot get out of my head that there is one! Wonderful bluesy version! One of my favorite renditions of this aria is in the title Jessye Norman - A Portrait - When I Am Laid In Earth (Purcel
As a fan of both rock and classical, I think this has more impact than the conventional classical performances. In Alison Moyet's hands, it becomes almost like one of her classic torch songs. Purists will object. In this song, Purcell wrote from his soul, and I think he'd be impressed with her version.
My gripe with the vast amount of opera performances is you can barely understand the lyrics, although the singing is usually more suiting. With this song, I feel the lyrics elevate the power of the song and therefore should be sung concisely.