You said you d never cease saying, with the darkness we arise, find the darkness kill the day
With the darkness we arise, reality s here, find the darkness kill the day
find the darkness kill the day
The powers below, find the darkness little one, rot in hell religious one
Rot in hell religious one, find the darkness little one, you said you d never cease saying
you re the one to make him bleed
The powers below, with the darkness we arise
The powers below, rot in hell religious one
Find the darkness kill the day, find the darkness little one
The powers below, find the darkness kill the day Cause, your hell is denied
find the darkness kill the day
reality s here
your hell is denied
With the darkness we arise, rot in hell religious one
rot in hell religious one
You said you d never cease saying, find the darkness little one Of, find the darkness kill the day
find the darkness kill the day
Cold fate the chosen son, your hell is denied, with the darkness we arise
the powers below
you re the one to make him bleed
The powers below, reality s here Obituary, your hell is denied
Your hell is denied, you said you d never cease saying, rot in hell religious one
Find the one kill the need, find the darkness kill the day
Cold fate the chosen son, reality s here Death, your hell is denied
You can never compare modern day technical/brutal death metal bands to the classics. The classics have the dark horror feeling everytime you listen to them. It didn't feel horrifying at all when you try to go all out technical and ridiculously brutal.
"The cover art of this album was used in an H.P. Lovecraft collection, Bloodcurdling Tales of Horror and the Macabre, and part of it was used in The Tomb and The Doom That Came to Sarnath paperbacks. It was supposed to be the cover of Sepultura's album Beneath the Remains,[3] but Roadrunner Records let Obituary use it first, even though Cause of Death was released in 1990, a year after Beneath the Remains. Sepultura chose another Michael Whelan illustration for Beneath The Remains's cover." idk.
When you haven't heard classics like this in a long while it restores most of it's power. Listening to this makes most of the music I've been listening to lately seem subpar.
The best thing about Oldschoo-Death Metal is the fact, that it has so much groove and melody in it without being less brutal.
And goddamn, you can still here the massiv thrash influence in it, which is uncommon in today's Death Metal
James Murphy, the god of making you afraid of the guitar. John Tardy, the master of creeping into your very soul with his haunting vocals. Trevor Peres, the lord of creating ominous riffs that clog your arteries with pure metal. Donald Tardy, the executioner of precise and hard hitting drum work, And Frank Watkins, the dark overlord of foundations, working together with all of these components. Metal legends never die.